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Though her specialty is foreign cyber terrorism, CIA agent Kera Mersal finds herself plunged into a bizarre domestic case. Singers, writers, and artists are disappearing, leaving no trace in a world where everyone leaves a digital footprint. Posing as a journalist, Kera attempts to track the artists’ last-known movements.On a hunt that takes her from the underground art scene to a rogue domestic spying program, Kera finds her investigation on a deadly collision course with ONE Corp., the world’s largest multimedia conglomerate. As she’s drawn deeper into the investigation, she discovers that an enigmatic young ad exec, a wealthy playboy, and a mysterious website may connect the missing artists and ONE’s growing power. And with each discovery comes confirmation of a terrifying truth―no one’s secrets are safe.A smartly suspenseful and timely thriller, End of Secrets dives into the depths of our culture’s two most relentless obsessions: entertainment and profit.
I envisioned this book as a modernization of 1984. The story certainly has elements of that classic, but it is very much its own story and plot. The characters are interesting, and the plot moves smoothly. The book brings up important issues regarding the rights of private citizens in this modern digital world. The book's ending felt abrupt without really resolving anything, but I can see how the author might have done this intentionally to get readers thinking more. I did find myself very frustrated with the characters and whom they chose to trust/distrust. Considering that they are all meant to be brilliant individuals, it would have been nice to see a little more reflection from them on who they trusted and why (or possibly more background information to support that trust).